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Do Re Mi Fa So La Ti Do Notes KayleeteMiles

Do Re Mi Fa So La Ti Let's see if I can make it easier Doe, a deer, a female deer Ray, a drop of golden sun Me, a name I call myself Far, a long, long way to run Sew, a needle pulling thread La, a note to follow Sew Tea, I drink with jam and bread That will bring us back to Do, oh oh oh Doe, a deer, a female deer Ray, a drop of golden sun


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Fixed Do, where C is always Do, and Movable Do, where the root of the scale you are using is Do. The rest of this answer will focus on Movable Do, as in Fixed Do the answer will differ based on what note you are starting on. The major Solfege syllables are the ones that you listed (note, sometimes Ti is called Si instead): Do Re Mi Fa Sol La Ti Do


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Such systems use as their syllables the note names "do, re, mi, fa, so, la, ti, do" (familiar to most people due to the song "Do-Re-Mi" from The. present the older seven-note syllabification of "do, re, mi, fa, so, la, si, do". In the seven-shape system invented by Jesse B. Aikin, the notes of a C major scale would be notated and sung as.


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This notation is what is called Moveable Do, meaning the word 'Do' moves to wherever the starting note of the major scale is at the time. However, there is also a notation technique called Fixed Do. With Fixed Do solfege, Do is always a C, Re is always a D, Mi = E, Fa = F, Sol = G, La = A, and Ti = B.


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Try playing the scale slowly on the piano and singing along on "Da". The chromatic solfege scale uses different syllables for the notes going up and coming down. Think of the ascending notes as sharps (#) and the descending notes as flats (b). The solfege syllables for the ascending scale are Do- Di- Re- Ri- Mi- Fa- Fi- Sol- Si- La- Li- Ti- Do.


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Play do-re-mi-fa-so-la-ti-do on a virtual piano, xylophone, drums and harp. Create your own music with this fun music learning game. Play Simple Instruments game online on your mobile phone, tablet or computer. How To Play. Click with the mouse or touch the instruments to play.


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Overview The seven syllables normally used for this practice in English-speaking countries are: do, re, mi, fa, sol, la, and ti (with sharpened notes of di, ri, fi, si, li and flattened notes of te, le, se, me, ra ). The system for other Western countries is similar, though si is often used as the final syllable rather than ti .


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G Major Scale Do Re Mi Fa So La Ti Do. Start at the red dot DO (1) of the low E string with your middle finger, followed by the other fingers to descend on the rest of the dots ending on the DO (8) of the D string. Then go back ascending starting now from where you stop, reversing the finger pattern you've created.


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What are Music Scales? | Simplifying Theory Music scales - Definition A scale is an ordered sequence of notes. For example: do, re, mi, fa, sol, la, ti, do… repeating this cycle. On this scale, we start with the do note and follow a well-defined sequence of intervals until the return to the do note again.


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" Do-Re-Mi " is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song.


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The Syllabic Musical Notation: DO RE MI FA SOL LA SI (TI) G Clef (Treble Clef): 17 music notes in Syllabic notation: DO RE MI FA SOL LA SI. Follow this link or select the image to learn to read music notes in syllabic notation.


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Each succeeding line of the song started one note higher than the previous one, so Guido used the first letters of each word of each line: Ut queant laxis, Re sonare fibris: Mi re gestorum.


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Solfège - Wikipedia Solfège In music, solfège ( / ˈsɒlfɛʒ /, French: [sɔlfɛʒ]) or solfeggio ( / sɒlˈfɛdʒioʊ /; Italian: [solˈfeddʒo] ), also called sol-fa, solfa, solfeo, among many names, is a music education method used to teach aural skills, pitch and sight-reading of Western music.


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Today we know the Solfeggio scale as seven ascending notes assigned to the syllables Do-Re-Mi-Fa-So-La-Ti. The original scale was six ascending notes assigned to Ut-Re-Mi-Fa-Sol-La. The syllables for the scale were taken from a hymn to St. John the Baptist, Ut Queant Laxis, written by Paulus Diaconus.