Homage to the Square. Apparition, 1959 Josef Albers

Homage to the Square Homage nn

Josef Albers Homage to the Square: Silent Hall 1961 Not on view In 1950, while teaching fine arts at Yale University, the German-born Albers began his most extensive and well-known series, Homage to the Square—a rigorously formulaic project comprising more than one hundred paintings and prints and developed over twenty-five years.

Josef ALBERS Homage to the Square, 1977 Original screenprint Contemporary Art Plazzart

The Bauhaus Josef Albers, Homage to the Square: "Ascending," 1953, oil on composition board, 110.5 × 110.5 cm (Whitney Museum of American Art) Though Albers began work on the Homage paintings in 1950, he was introduced to color theory very early in his career, when he enrolled as a student at the Bauhaus in 1920.

Josef Albers "Homage to the Square" Complete Suite of 16 Josef albers, Josef albers furniture

In 1950, at the age of 62, Albers began what would become his signature series, the Homage to the Square. Over the next 26 years, until his death in 1976, he produced hundreds of variations on the basic compositional scheme of three or four squares set inside each other, with the squares slightly gravitating towards the bottom edge.

Homage to the Square Wondering Saint Louis Art Museum

Paul Klee b. 1879, Münchenbuchsee, Switzerland; d. 1940, Muralto-Locarno, Switzerland Title (From the Song of Songs) Version II Date 1921 Medium Ink and watercolor on paper, with watercolor on cardboard mount Dimensions sheet: 6 7/16 x 6 7/8 inches (16.2 x 17.4 cm); mount: 10 13/16 x 10 13/16 inches (27.4 x 27.4 cm) Credit Line

Homage to the Square

Josef Albers, Homage to the Square: Soft Spoken, 1969, oil on masonite, 121.9 x 121.9 cm (The Metropolitan Museum of Art, New York) Looking deeply Take a moment to really look deeply at this example of Josef Albers' extensive series, Homage to the Square.

Homage to the Square With Rays Josef Albers 59.160 Work of Art Heilbrunn Timeline of

Josef Albers was a painter, poet, sculptor, and theoretician, best known for his iconic series of abstract paintings, the Homage to the Square series. He also was an educator whose work, both in Europe and in the United States, formed the basis of some of the most influential and far-reaching art education programs of the 20th century.

Homage to the Square (La Tehuana), 1951 Josef Albers

Homage to the Square is a collection of explorations in color and spatial relationships in which Albers limited himself to square formats, solid colors and precise geometry, yet was able to achieve a seemingly endless range of visual effects. Artwork Details Overview Inscriptions and Markings Provenance Exhibition History References

Josef Albers Homage to the Square With Rays The Metropolitan Museum of Art

Michael Murawski discusses Josef Albers's Homage to the Square: Aurora (1951-55), part of the Kemper Art Museum's permanent collection. Presented in conjunct.

Study for Homage to the Square Beaming, 1963 Josef Albers

Homage to the Square is the title of a series of paintings produced by Josef Albers between 1950 and his death in 1976. In 1971, the paintings were the subject of the first solo show devoted to a living artist at the Metropolitan Museum of Art. [1] There are over 1000 works within the series. [2] Description

Homage to the Square. Apparition, 1959 Josef Albers

Abstract — geometric Object Number 1969.47.51 Linked Open Data https://edan.si.edu/saam/id/object/1969.47.51 Artwork Description A mathematical formula seems an odd starting point for an artist, but this is the way Josef Albers began more than one thousand panels he called Homage to the Square.

CHAUDRON Josef Albers Homage to the Square

Josef Albers is best known for the Homage to the Square paintings and prints, which he started in 1950 when he was sixty-two years old and continued to work on until his death in 1976. The Homages gave him a chance to present a vast range of "color climates," and to juxtapose pure undiluted colors—whether made of paint or ink—in a way that allows "color magic" to occur.

Homage to Homage to the Square

In addition to being a teacher, Albers was an active abstract painter and theorist, best known for his series Homage to the Square, in which he explored chromatic interactions with nested squares, meticulously recording the colors used.

Homage to the Square Yellow Signal The Art Institute of Chicago

Homage to the Square: Against Deep Blue Classification Paintings Work Type painting Date 1955 Culture American Persistent Link https://hvrd.art/o/223024 Physical Descriptions Medium Oil on Masonite Dimensions 61 x 61 cm (24 x 24 in.) framed: 62.5 x 62.4 x 3 cm (24 5/8 x 24 9/16 x 1 3/16 in.) Inscriptions and Marks Signed: on recto, l.r.: A 55

Homage to the square 20 April 26 June 2015 ML Fine Art Matteo Lampertico

Homage to the Square The celebrated German artist Josef Albers is known and remembered for many things. However, the most notable is perhaps his world-famous series known as Homage to the Square.

LAND Homage to the Square

Josef Albers' acclaimed body of work "Homage to the Square" is regarded today as one of the most iconic series of twentieth-century art, and Homage to the Square: Yellow Resonance from 1957 is a superlative example. Albers considered color not as the tool to articulate his subject, but as the very content of painting itself.

Homage to the Square Wellesley College

Josef Albers Homage to the Square: Ten Works by Josef Albers 1962 Not on view Albers began making his Homage to the Square painting series around 1951. The works here mark one of the first occasions he explored this imagery in print.